{"id":7382,"date":"2019-06-20T16:12:23","date_gmt":"2019-06-20T07:12:23","guid":{"rendered":"http:\/\/ga-beta.geidai.ac.jp\/?page_id=7382\/"},"modified":"2026-06-01T11:26:03","modified_gmt":"2026-06-01T02:26:03","slug":"academic-staff-part-time-lecturer","status":"publish","type":"page","link":"https:\/\/geidai-ga.warpjapan.com\/en\/academic-staff-part-time-lecturer\/","title":{"rendered":"Part-time Lecturer"},"content":{"rendered":"
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Academic Staff<\/h1>\n
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\t\t\t\t\t\tKen Takiguchi<\/a>
\n\t\t\t\t\t\tRyosuke Kondo<\/a>
\n\t\t\t\t\t\tFutoshi Hoshino<\/a>
\n\t\t\t\t\t\tTomonori Ishioka<\/a>
\n\t\t\t\t\t\tShinya Sugawara<\/a><\/p><\/div><\/div><\/div><\/div>\n

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Part-time Lecturer<\/strong><\/h2>\n<\/p><\/div>\n
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\n\t\t\t\t\t\t\t\"Part-time\n\t\t\t\t\t\t<\/div>\n
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Part-time Lecturer<\/strong><\/h3>\n

Ken Takiguchi<\/strong><\/h2>\n<\/p><\/div><\/div><\/div>\n
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Title of course : Studies on Asian Performing Arts<\/strong><\/h4>\n

From 1999 until 2016, Ken Takiguchi had been based in Malaysia and Singapore, working as a vice-president of Japan Foundation Kuala Lumpur, a councillor of The Necessary Stage, and a research fellow at Division of Theatrical Studies, Department of English and English Literature National Singapore University. His recent publications include Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre (Kuala Lumpur: Five Arts Centre, Singapore: Epigram Books, 2018, co-edited). He currently works at Setagaya Public Theatre and teaches at Tokyo University of the Arts as a part-time lecturer.<\/p>\n<\/p><\/div><\/div>\n

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Part-time Lecturer<\/strong><\/h3>\n

Ryosuke Kondo<\/strong><\/h2>\n<\/p><\/div><\/div><\/div>\n
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Title of course : Global Art Theory and Criticism<\/strong><\/h4>\n

Born in Osaka, Japan in 1982. Ryosuke Kondo is an artist, art critic, and Research Associate at the University of Tokyo. He obtained his B.A. from the Slade School of Fine Art, University College London, the University of London, and his M.A. from the Department of Interdisciplinary Cultural Studies, Graduate School of Arts and Sciences, the University of Tokyo. He was a JSPS Research Fellow (2014-16) and a Fulbright visiting researcher at Harvard Graduate School of Design (2016-17).
Specializing in Aesthetics and History of Landscape, his research primarily focuses on the theory of painting and gardening in modern Britain, America, and Japan. In addition to academic articles, he writes reviews for art and culture magazines, such as Bijutsu Techo and Ohararyu SOKA, and organizes contemporary art exhibitions, including Individual Sansui (Komagome SOKO, 2020) and The Genius Loci of Kudan and the Niki of the Japanese Garden (kudan house, 2018).<\/p>\n<\/p><\/div><\/div>\n

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Part-time Lecturer<\/strong><\/h3>\n

Futoshi Hoshino<\/strong><\/h2>\n<\/p><\/div><\/div><\/div>\n
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Title of course : Studies on Curatorial and Art Theory II<\/strong><\/h4>\n

Futoshi Hoshino is an Assistant Professor at Waseda University. He received his M.A. (2007) and Ph.D. (2014) from the Graduate School of Arts and Sciences at the University of Tokyo. His publications include Rhetoric of the Sublime (Tokyo: Getsuyosha, 2017), The Sublime and the Uncanny (co-edited, Tokyo: UTCP, 2016), Diversities in Aesthetics (co-authored, Beijing: Social Sciences Press, 2013) and Contemporary Art Theory (co-authored, Tokyo: EOS, 2013). He has translated books and essays by continental philosophers such as Jean-Fran\u00e7ois Lyotard, Catherine Malabou, Quentin Meillassoux and so on<\/p>\n<\/p><\/div><\/div>\n

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Part-time Lecturer<\/strong><\/h3>\n

Tomonori Ishioka<\/strong><\/h2>\n<\/p><\/div><\/div><\/div>\n
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Title of course : Studies on Curatorial and Art Theory II<\/strong><\/h4>\n

Tomonori Ishioka is Professor of Sociology at the College of Humanities and Sciences at Nihon University. He specializes in the methodology of sociological ethnography. His research interests span urban marginality, embodiment, and southern theories. His works in English include The Bottom Worker in East Asia: Composition and Transformation under Neoliberal Globalization. Brill (co-editor with Hideo Aoki, 2023), Training under Uncertainty: Tempography of Underdog Filipino Pugilists. In: Rinehart R, Kidd J, and Garcia Quiroga, Antonio (eds) Southern Hemisphere Ethnographies of Space, Place, and Time. Peter lang (2018), and The Habitus without Habitat: the Disconnect Caused by Uprooting during Gentrification in Metro Manila. Social Theory and Dynamics 1 (2016).<\/p>\n<\/p><\/div><\/div>\n

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\n\t\t\t\t\t\t\t\"Part-time\n\t\t\t\t\t\t<\/div>\n
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Part-time Lecturer<\/strong><\/h3>\n

Shinya Sugawara<\/strong><\/h2>\n<\/p><\/div><\/div><\/div>\n
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Title of course : Approaches to Art Criticism<\/strong><\/h4>\n

Shinya Sugawara is an art critic based in Tokyo. His major area of study is contemporary art and the relationship between art and politics. He is currently researching art and migration. He has written exhibition reviews for Bijutsutecho and Tokyo Art Beat, and essays such as \u201cTania Bruguera, or the Expanded Concept of Participatory Art\u201d (ART RESEARCH ONLINE) and \u201cIntersection of identification and disidentification: Around the works of Santiago Sierra\u201d (Pan no Pan 4 vol.3\uff09. He has also interviewed artists and curators like Yuki Okumura\uff08in 2016\uff09and Hans Ulrich Obrist (in 2020) .<\/p>\n<\/p><\/div><\/div>\n

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Faculity<\/strong><\/h2>\n<\/p><\/div>\n
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Academic Staff<\/strong><\/h3>\n

Introduction of our seven faculty members who specialize in research and practice in a variety of fields, including fine arts, music, multidisciplinary arts, sociology, cultural studies, cultural policy, and cultural economics.<\/p>\n<\/p><\/div>\n

\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n

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Assistant Professors and Research Assistants<\/strong><\/h3>\n

Introduction of our associate professors and assistants, who have backgrounds in a variety of fields, with a focus on art.<\/p>\n<\/p><\/div>\n

\t\t\t\t\t<\/a>\n\t\t\t\t<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Academic Staff Ken Takiguchi Ryosuke Kondo Futoshi Hoshino Tomonori Ishioka Shinya Sugawara Part-time Lecturer Part-time Lecturer Ken Takiguchi Title of course : Studies on Asian Performing Arts From 1999 until 2016, Ken Takiguchi had been based in Malaysia and Singapore, working as a vice-president of Japan Foundation Kuala Lumpur, a councillor of The Necessary Stage, and a research fellow at Division of Theatrical Studies, Department of English and English Literature National Singapore University. His recent publications include Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre (Kuala Lumpur: Five Arts Centre, Singapore: Epigram Books, 2018, co-edited). He currently works at Setagaya Public Theatre and teaches at Tokyo University of the Arts… Continue reading Part-time Lecturer<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-staff-part-time.php","meta":{"footnotes":""},"class_list":["post-7382","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/pages\/7382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/comments?post=7382"}],"version-history":[{"count":12,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/pages\/7382\/revisions"}],"predecessor-version":[{"id":16671,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/pages\/7382\/revisions\/16671"}],"wp:attachment":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media?parent=7382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}