{"id":2075,"date":"2016-12-09T15:01:01","date_gmt":"2016-12-09T06:01:01","guid":{"rendered":"http:\/\/ga-beta.geidai.ac.jp\/en\/?post_type=portfolio&p=2075"},"modified":"2024-10-09T14:28:26","modified_gmt":"2024-10-09T05:28:26","slug":"anselm-franke-lecture","status":"publish","type":"portfolio","link":"https:\/\/geidai-ga.warpjapan.com\/en\/portfolio\/anselm-franke-lecture\/","title":{"rendered":"Special Lecture | Anselm Franke The Delirious Museum"},"content":{"rendered":"
[vc_row][vc_column visibility=”visible-desktop” width=”1\/3″ css=”.vc_custom_1476865906724{margin-top: 10px !important;margin-right: 50px !important;}”][vc_column_text]\n

In Depth<\/h1>\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_column_text]\n

Special Lecture<\/small>
\nAnselm Franke<\/span>
\nThe Delirious Museum<\/h2>\n

Public Lecture organized by the Graduate School of Global Arts
\nat the Tokyo University of the Arts<\/h4>\n

\uff08Granted by Agency of Cultural Affairs, Japan. Part of the &G Art Projects in the Age of Globalization\uff09<\/small><\/p>\n

Held on November 17, 2016
\nVenue: Tokyo University of the Arts, Ueno Campus, Lecture Room 5-109[\/vc_column_text][vc_empty_space][vc_column_text]Tokyo University of the Arts Graduate School of Global Arts invited this fall Dr Anselm Franke, Curator and Writer, Head of Visual Art and Film at the Haus der Kulturen der Welt, Berlin, as a special guest lecturer to our School. Along with a lecture for our all-students\u2019 compulsory course \u201cIntroduction to Art and Culture in the Global Age\u201d and \u201cArt Studies and Curatorial Practices\u201d seminars and workshops with Professor Yuko Hasegawa, he delivered a special lecture open to the general public at our Ueno campus.
\nDr Franke has been curating Animism<\/span> (2012-14), Taipei Biennial Modern Monsters \/ Death and Life of Fiction <\/span>(2012) and Shanghai Biennial Social Factory<\/span> (2014). In this public lecture, he started with a big question of what it means to be modern, and discussed carefully modern art and modernism had developed since the late 19th century in relation to other aspects of modernization, such as technology, science, and social change. His concern lies in the institution of the museum as a modern invention in which a specific form of knowledge is produced. He used the example of his exhibition projects to discuss forms of knowledge that cannot be simply represented or shown in this institution. So-called pre-modern, animistic practices\u00a0cannot\u00a0be exhibited in museums without being structurally transformed and inserted into the system of modern knowledge. But how does such a transformation itself become the topic of an exhibition?<\/p>\n

Here we release the whole movie of the lecture with a simultaneous translation to Japanese.<\/p>\n

Translated from Japanese by Eri Kawade\uff3bResearch Associate, Graduate School of Global Arts, Tokyo University of the Arts\uff3d<\/p>\n[\/vc_column_text][vc_empty_space][vc_empty_space][vcex_video overlay_attachment_id=”2070″ type=”youtube” source=”custom” url=”https:\/\/www.youtube.com\/watch?v=EmZ0DljIHZY” overlay=”true” overlay_source=”media_library”][vc_column_text]\"Special<\/a>