Art Practice PhD, and what comes after <\/span><\/strong>
(Practice Research in Print) <\/span><\/strong><\/h1>\n\n\n\nDate: 19th<\/sup>\u00a0April 2022
Time: 18:00\u00a0
Venue: Lecture Room 1, Senju Campus, Tokyo University of the Arts
Speaker: Sunil Manghani (Professor of Theory, Practice & Critique and Director of Research at Winchester School of Art, University of Southampton (UK))
Moderator: Yoshirtaka Mori (Professor, Tokyo University of the Arts)<\/p>\n\n\n\n\uff0aThe lecture will be given in English.<\/p>\n\n\n\n
\n\n\n\n![\"\"](\"http:\/\/ga-beta.geidai.ac.jp\/info\/wp-content\/uploads\/2022\/04\/Manghani-Photo_SIA_JPG_fit_to_width_INLINE-1.jpg\")
<\/figure>\n<\/div>\n\n\n\n\n![\"\"](\"http:\/\/ga-beta.geidai.ac.jp\/info\/wp-content\/uploads\/2022\/04\/Figure-1-803x1024.jpg\")
<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\nArt Practice PhD, and what comes after (Practice Research in Print)
<\/strong><\/strong>For this talk, Prof. Manghani will firstly outline some of the key elements of a recently published article, \u2018Practice PhD Toolkit\u2019 (in Journal of Visual Art Practice). The article provides an account of the practice PhD in art and the nature of the debates surrounding its development and status. In helping to define the practice PhD, the article distinguishes between projects and practice and provides a reference to key debates. Following discussion of participants own work, the talk will move to steps after the practice PhD, with specific focus on getting published. Here, experience is drawn from two notable journals, Journal of Visual Art Practice<\/em>, which has a 20 year history, and Theory, Culture & Society<\/em>, which is currently celebrating its 40th year. Participants maybe be interest to read \u2018Practice PhD Toolkit\u2019 ahead of the talk, which is available open access: https:\/\/doi.org\/10.1080\/14702029.2021.1988276<\/a><\/p>\n\n\n\n
Sunil Manghani<\/strong> <\/strong>is Professor of Theory, Practice & Critique and Director of Research at Winchester School of Art, University of Southampton (UK). He is the editor of Journal of Visual Art Practice<\/em>, and managing editor of Theory, Culture & Society<\/em>, and currently holds a fellowship with the Turing Institute, the UK\u2019s national institute for AI. His books include Image Studies <\/em>(2013), Zero Degree Seeing<\/em> (2019); India\u2019s Biennale Effect <\/em>(2016) and Farewell to Visual Studies<\/em> (2015). He curated Barthes\/Burgin <\/em>at the John Hansard Gallery (2016), along with Building an Art Biennale<\/em> (2018) and Itinerant Objects <\/em>(2019) at Tate Exchange, Tate Modern.
@s_manghani | https:\/\/preparationoftheartwork.wordpress.com\/portfolio\/<\/a><\/p>\n\n\n
<\/strong>Enquiries:
Faculty Room, Graduate School of Global Arts, Tokyo University of the Arts
info-ga(at)ml.geidai.ac.jp
<\/strong><\/p>\n<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>","protected":false},"excerpt":{"rendered":"
For this talk, Prof. Manghani will firstly outline some of the key elements of a recently published article, \u2018Practice PhD Toolkit\u2019 (in Journal of Visual Art Practice). <\/p>\n","protected":false},"author":2,"featured_media":10720,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"post_series":[],"class_list":["post-10725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events-en","entry"],"_links":{"self":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/10725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/comments?post=10725"}],"version-history":[{"count":0,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/10725\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media\/10720"}],"wp:attachment":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media?parent=10725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/categories?post=10725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/tags?post=10725"},{"taxonomy":"post_series","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/post_series?post=10725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Time: 18:00\u00a0
Venue: Lecture Room 1, Senju Campus, Tokyo University of the Arts
Speaker: Sunil Manghani (Professor of Theory, Practice & Critique and Director of Research at Winchester School of Art, University of Southampton (UK))
Moderator: Yoshirtaka Mori (Professor, Tokyo University of the Arts)<\/p>\n\n\n\n
\uff0aThe lecture will be given in English.<\/p>\n\n\n\n
<\/figure>\n<\/div>\n\n\n\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\nArt Practice PhD, and what comes after (Practice Research in Print) <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" For this talk, Prof. Manghani will firstly outline some of the key elements of a recently published article, \u2018Practice PhD Toolkit\u2019 (in Journal of Visual Art Practice). <\/p>\n","protected":false},"author":2,"featured_media":10720,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"post_series":[],"class_list":["post-10725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events-en","entry"],"_links":{"self":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/10725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/comments?post=10725"}],"version-history":[{"count":0,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/10725\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media\/10720"}],"wp:attachment":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media?parent=10725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/categories?post=10725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/tags?post=10725"},{"taxonomy":"post_series","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/post_series?post=10725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/strong><\/strong>For this talk, Prof. Manghani will firstly outline some of the key elements of a recently published article, \u2018Practice PhD Toolkit\u2019 (in Journal of Visual Art Practice). The article provides an account of the practice PhD in art and the nature of the debates surrounding its development and status. In helping to define the practice PhD, the article distinguishes between projects and practice and provides a reference to key debates. Following discussion of participants own work, the talk will move to steps after the practice PhD, with specific focus on getting published. Here, experience is drawn from two notable journals, Journal of Visual Art Practice<\/em>, which has a 20 year history, and Theory, Culture & Society<\/em>, which is currently celebrating its 40th year. Participants maybe be interest to read \u2018Practice PhD Toolkit\u2019 ahead of the talk, which is available open access: https:\/\/doi.org\/10.1080\/14702029.2021.1988276<\/a><\/p>\n\n\n\n
Sunil Manghani<\/strong> <\/strong>is Professor of Theory, Practice & Critique and Director of Research at Winchester School of Art, University of Southampton (UK). He is the editor of Journal of Visual Art Practice<\/em>, and managing editor of Theory, Culture & Society<\/em>, and currently holds a fellowship with the Turing Institute, the UK\u2019s national institute for AI. His books include Image Studies <\/em>(2013), Zero Degree Seeing<\/em> (2019); India\u2019s Biennale Effect <\/em>(2016) and Farewell to Visual Studies<\/em> (2015). He curated Barthes\/Burgin <\/em>at the John Hansard Gallery (2016), along with Building an Art Biennale<\/em> (2018) and Itinerant Objects <\/em>(2019) at Tate Exchange, Tate Modern.
@s_manghani | https:\/\/preparationoftheartwork.wordpress.com\/portfolio\/<\/a><\/p>\n\n\n
<\/strong>Enquiries:
Faculty Room, Graduate School of Global Arts, Tokyo University of the Arts
info-ga(at)ml.geidai.ac.jp
<\/strong><\/p>\n