	{"id":15244,"date":"2025-02-13T16:47:03","date_gmt":"2025-02-13T07:47:03","guid":{"rendered":"http:\/\/geidai-ga.warpjapan.com\/?p=15244"},"modified":"2025-03-29T13:25:26","modified_gmt":"2025-03-29T04:25:26","slug":"when-does-sound-become-sound","status":"publish","type":"post","link":"https:\/\/geidai-ga.warpjapan.com\/en\/2025\/02\/13\/when-does-sound-become-sound\/","title":{"rendered":"Exhibition: When Does Sound Become Sound?"},"content":{"rendered":"<p><span style=\"font-size: 21px;\"><strong>Exhibition: When Does Sound Become Sound?<\/strong><\/span><\/p>\n<p>We are delighted to announce the upcoming exhibition &#8220;When Does Sound Become Sound?,&#8221; curated by the students of the Graduate School of Global Arts. This exhibition will be held at the second floor of Chinretsukan Gallery, commencing on March 20, 2025 (Thu).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-15239\" src=\"http:\/\/geidai-ga.warpjapan.com\/wp-content\/uploads\/2025\/02\/019748aeb511a5496289ab4854ef8dd8.png\" alt=\"\" width=\"663\" height=\"930\" srcset=\"https:\/\/geidai-ga.warpjapan.com\/wp-content\/uploads\/2025\/02\/019748aeb511a5496289ab4854ef8dd8.png 663w, https:\/\/geidai-ga.warpjapan.com\/wp-content\/uploads\/2025\/02\/019748aeb511a5496289ab4854ef8dd8-214x300.png 214w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><\/p>\n<p>In our daily lives, sound exists everywhere, everywhen. Yet, we often do not notice it until we listen and experience it. We must attune our ears to the subtle noises that might otherwise go unnoticed, deeply sense them, and acknowledge them as \u201csound\u201d. So, at what point does sound cease to be mere background noise and become something more? When does sound truly become sound?<br \/>\nThis exhibition invites four artists, all students and alumni of Tokyo University of the Arts, to focus on \u201csound\u201d through performances and installations. Their works feature a swing that hums with your sways, a canvas that vibrates under your fingers, paper that crinkles with each touch, and rhythms that echo through the space with every tap.<br \/>\nBy transforming familiar objects into instruments that respond to movement and touch, these works blur the lines between sound and space. They invite you to shape the experience and create a new way of perceiving the soundscape around you.<br \/>\nHere, you are not just a mere observer but also a participant. By touching, making sounds with the pieces, and sharing that experience with others in this space, you may uncover the subtle sounds that often elude attention. We hope this exhibition leads you to new encounters with sound.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u201dWhen Does Sound Become Sound?\u201d<\/strong><br \/>\nDates: March 20 (Thu) \u2013 April 6 (Sun), 2025<br \/>\nOpen: Thursday &#8211; Sunday<br \/>\nOpening hours: 10:00-17:00<br \/>\nAdmission: Free<br \/>\nVenue: Chinretsukan Gallery 2F, Tokyo University of the Arts<br \/>\nAddress: 12-8 Ueno Park, Taito-ku, Tokyo<\/p>\n<p>Artists: Miyu Kawabata, Kanji Kuwahara, Tomoko Hojo, Tadanori Watanabe<\/p>\n<p>Curators: Anqi Li, Asuka Taniguchi, Ghada Hadil Ben Fredj, Katrin Bjoerg Gunnarsdottir, Rochio Cruz Toranzo<\/p>\n<p>Designer: Keita Shimamura<\/p>\n<p>Organized by: Graduate School of Global Arts, Tokyo University of the Arts<br \/>\nCo-organized by: Culture Vision Japan<\/p>\n<p>Directions<br \/>\nApprox. 10 min. walk from JR \u201cUeno\u201d station (Park exit) or Chiyoda subway line \u201cNezu\u201d station (Exit 1)<br \/>\nApprox. 15 min. walk from \u201cKeisei-Ueno\u201d station (Main Exit) or Ginza and Hibiya subway line \u201cUeno\u201d station (Exit 7)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size: 18px;\">Live Performances<\/span><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">As part of the exhibition\u2019s exploration of sound, we are pleased to present a series of live performances across five dates, each featuring a unique collaboration with talented musicians. Based on Kanji Kuwahra\u2019s <\/span><i><span style=\"font-weight: 400;\">Knock Knock<\/span><\/i><span style=\"font-weight: 400;\"> (2025) and Tadanori Watanabe\u2019s <\/span><i><span style=\"font-weight: 400;\">Surface <\/span><\/i><span style=\"font-weight: 400;\">(2025), these performances extend the exhibition\u2019s themes into a live setting, inviting audiences to attune their ears to sound in new ways. By blending music with the surrounding artworks, each performance transforms the work and the space into a dynamic soundscape, where sound and resonances take center stage.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Kanji Kuwahara<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Performances based on <\/span><i><span style=\"font-weight: 400;\">Knock Knock<\/span><\/i><span style=\"font-weight: 400;\"> (2025):<\/span><b><\/b><\/p>\n<ul>\n<li><b>March 29, 2025 (Sat)<\/b> <span style=\"font-family: var(--wpex-body-font-family, var(--wpex-font-sans));\"><strong>16:30\u201317:00<\/strong> | Quartet: Kanji Kuwahara, Ryotaro Miyasaka, Tomoe Ando, Mikihito Sano<\/span><\/li>\n<li><b>April 6, 2025 (Sun)<\/b> <span style=\"font-family: var(--wpex-body-font-family, var(--wpex-font-sans));\"><strong>13:00\u201313:30<\/strong> | Duo: Kanji Kuwahara, Tomoe Ando<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><b>Tadanori Watanabe<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Performances based on <\/span><i><span style=\"font-weight: 400;\">Surface<\/span><\/i><span style=\"font-weight: 400;\"> (2025):<\/span><\/p>\n<ul>\n<li aria-level=\"1\"><b>March 20, 2025 (Thu<\/b><strong>)<\/strong> <span style=\"font-family: var(--wpex-body-font-family, var(--wpex-font-sans));\"><strong>14:00\u201314:30<\/strong> | Daichi Yamamoto<\/span><\/li>\n<li><b>March 22, 2025 (Sat)<\/b> <span style=\"font-family: var(--wpex-body-font-family, var(--wpex-font-sans));\"><strong>14:00\u201315:10<\/strong>* | Kyohei Kakimoto, Akari Watanabe<\/span><\/li>\n<li><b>March 29, 2025 (Sat)<\/b> <span style=\"font-family: var(--wpex-body-font-family, var(--wpex-font-sans));\"><strong>11:00\u201312:10<\/strong>* | Kyohei Kakimoto, Akari Watanabe<\/span><\/li>\n<li><strong>April 5, 2025 (Sat) 14:00\u201315:10*<\/strong> | Mana Oishi, Reo Gojo<\/li>\n<li><strong>April 6, 2025 (Sun) 11:00\u201311:30<\/strong> | Duo: Mana Oishi, Akari Watanabe<\/li>\n<li><strong>April 6, 2025 (Sun) 11:40\u201312:10<\/strong> | Duo: Reo Gojo, Daichi Yamamoto<\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00a0An interval of 10 minutes is scheduled between performances marked with *.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size: 18px;\">Artists<\/span><\/strong><\/p>\n<p><b>Miyu Kawabata<br \/>\n<\/b>Born in 2000 in Nakano, Tokyo. Focusing primarily on auditory sense, she has been creating works that encourage interaction between humans and space. She is currently enrolled in the master\u2019s program in New Media at the Graduate School of Film and New Media, Tokyo University of the Arts.<\/p>\n<p>Drawing from her experience of eating something she thought was a bean only to discover a candy, she began creating spaces that possess a dual structure\u2014front and back. Through the transformation and perception of previously unseen or unheard elements in response to environmental changes and human movement, her work attempts to capture the shifting nature of the era and environment we are placed in.<\/p>\n<p>Her recent exhibitions include BIBLIOSCAPE 2024 (Tokyo University of the Arts Library) and Media Practice (Tokyo University of the Arts Motomachi-Chukagai Campus).<\/p>\n<p><b>Kanji Kuwahara<br \/>\n<\/b>Born in Kumamoto and Grown up in Miyazaki, Japan in 1998. Graduated from Tokyo University of the Arts, Faculty of Music, Department of Musical Creativity and the Environment (MCE), in 2021, and completed a master&#8217;s degree at the same university&#8217;s Graduate School of Film and New Media in 2023. He is a member of the avan-pop band &#8220;Kabutomushi&#8221; and the improvisational percussion group &#8220;LA SE\u00d1AS\u201d.<\/p>\n<p>He has been active as a percussionist since childhood, and began his artistic activities when he was a university student. He explores the concept of rhythm based on theories of time and the body, and creates videos and performances based on the act of performance. In recent years, he has been focusing on expression that reexamines the meaning and value of things through the performance of everyday objects in the manner of percussion instruments.<\/p>\n<p><b>Tomoko Hojo<br \/>\n<\/b>Tomoko Hojo is an artist who works in the fluid space between experimental sound, music, and performance. In recent years, under the theme of making historically silenced (women\u2019s) voices audible, she has developed projects both in Japan and overseas focusing on Japanese women active internationally\u2014such as Yoko Ono and Sadayakko Kawakami. Her work has been performed and exhibited at venues including Issue Project Room, Emily Harvey Foundation, Scandinavia House, Tate Modern, IKLEKTIK, ZKM, NAIRS, TOKAS Hongo, Aomori Contemporary Art Center, Kyoto Art Center, and the POLA Museum Annex, among others.<\/p>\n<p><b>Tadanori Watanabe<br \/>\n<\/b>Born in 2002 in Shizuoka City, Shizuoka Prefecture. Currently enrolled in the Oil Painting course of the Painting Department, Faculty of Fine Arts at Tokyo University of the Arts. His work functions as a device to convert phenomena such as footsteps, tactile sensations, and air flow into \u201csound,\u201d a medium closely tied to physical perception.<\/p>\n<p>Recent exhibitions include \u201cAll of the screens to be painted white,\u201d \u201cpoint de depart,\u201d \u201cProject_Panorama,\u201d and \u201cIntro 1.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are delighted to announce the upcoming exhibition &#8220;When Does Sound Become Sound?,&#8221; curated by the students of the Graduate School of Global Arts. This exhibition will be held at the second floor of Chinretsukan Gallery, commencing on March 20, 2025 (Thu)&#8230;<\/p>\n","protected":false},"author":2,"featured_media":15246,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"post_series":[],"class_list":["post-15244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events-en","entry"],"_links":{"self":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/15244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/comments?post=15244"}],"version-history":[{"count":13,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/15244\/revisions"}],"predecessor-version":[{"id":15370,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/15244\/revisions\/15370"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media\/15246"}],"wp:attachment":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media?parent=15244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/categories?post=15244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/tags?post=15244"},{"taxonomy":"post_series","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/post_series?post=15244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}