	{"id":5347,"date":"2018-04-17T11:37:57","date_gmt":"2018-04-17T02:37:57","guid":{"rendered":"http:\/\/ga-beta.geidai.ac.jp\/?p=5347\/"},"modified":"2018-04-17T11:46:58","modified_gmt":"2018-04-17T02:46:58","slug":"morgan_en","status":"publish","type":"post","link":"https:\/\/geidai-ga.warpjapan.com\/en\/2018\/04\/17\/morgan_en\/","title":{"rendered":"Special Talk: Morgan Quaintance<br\/>A New Wave?"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid\"><\/div>\n<div class=\"wpb_column vc_column_container vc_col-sm-12\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\"><\/div>\n<\/div>\n<\/div>\n<div class=\"wpb_text_column wpb_content_element vc_custom_1459763974009\" >\n<div class=\"wpb_wrapper\"><\/div><\/div>\n<h2 class=\"mincho blue\"><span style=\"font-size: 16px;\">Special Talk<\/span><br \/>\n<span style=\"font-size: 32px;\">Morgan Quaintance<\/span><br \/>\n<span style=\"font-size: 24px;\">A New Wave?<\/span><\/h2>\n<p>Date and Time\uff1aApril 24 2018 (Tue.)17:30-18:30<br \/>\nVenue\uff1aLecture Room 5-213, Building 5, Department of Music, Ueno Campus, Tokyo University of the Arts<\/p>\n<p>Speaker\uff1aMorgan Quaintance (London-based writer, musician, broadcaster and curator) Chair\uff1aYoshitaka Mori (Tokyo University of the Arts)<\/p>\n<p>Language: English. No translation available<br \/>\nAll welcome.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Abstract:<\/strong><br \/>\nIn the UK a strikingly similar selection of discourses, debates and controversies are circulating through the mainstream art world. What was innovative and iconoclastic in the late 1980s and early &#8217;90s, has today become grey orthodoxy. By briefly surveying the historical and institutional factors contributing to this condition, I&#8217;ll explore artists and organisations who represent an alternative to the status quo and try to explain how I use my curatorial practice in support of that cause.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Profile:<\/strong><br \/>\n<strong>Morgan Quaintance<\/strong><\/p>\n<p><a href=\"http:\/\/geidai-ga.warpjapan.com\/info\/wp-content\/uploads\/2018\/04\/morgan-quaintance.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5342 alignnone\" src=\"http:\/\/geidai-ga.warpjapan.com\/info\/wp-content\/uploads\/2018\/04\/morgan-quaintance.jpg\" alt=\"\" width=\"220\" height=\"293\" srcset=\"https:\/\/geidai-ga.warpjapan.com\/wp-content\/uploads\/2018\/04\/morgan-quaintance.jpg 1280w, https:\/\/geidai-ga.warpjapan.com\/wp-content\/uploads\/2018\/04\/morgan-quaintance-225x300.jpg 225w, https:\/\/geidai-ga.warpjapan.com\/wp-content\/uploads\/2018\/04\/morgan-quaintance-768x1024.jpg 768w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/a><\/p>\n<p>Morgan Quaintance is a London-based writer, musician, broadcaster and curator. Born in South London, he is a regular contributor to Art Monthly, and has written for The Guardian, The Wire, Art Review, Frieze, Rhizome.org, and a number of curatorial sites and blogs. He is a contributing editor for E-Flux&#8217;s online publishing portal Art Agenda, is a founding member of the curatorial collective DAM PROJECTS, and was the 2015\/16 curatorial fellow at Cubitt Gallery, London. As a presenter he has worked with BBC Television and Radio, Channel Four, Artfund, the Royal Opera House, National Theatre and Roundhouse, and is also the producer of Studio Visit, a monthly hour-long interviews-based programme, broadcast on Resonance 104.4 FM, featuring international contemporary artists as guests.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Enquiries:<\/strong><br \/>\nFaculty Room, Graduate School of Global Arts, Tokyo University of the Arts<br \/>\ninfo-ga(at)ml.geidai.ac.jp<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>In the UK a strikingly similar selection of discourses, debates and controversies are circulating through the mainstream art world. What was innovative and iconoclastic in the late 1980s and early &#8217;90s, has today\u2026<\/p>\n","protected":false},"author":2,"featured_media":5342,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"post_series":[],"class_list":["post-5347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events-en","entry"],"_links":{"self":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/5347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/comments?post=5347"}],"version-history":[{"count":0,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/5347\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media\/5342"}],"wp:attachment":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media?parent=5347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/categories?post=5347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/tags?post=5347"},{"taxonomy":"post_series","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/post_series?post=5347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}