{"id":9047,"date":"2020-07-02T17:42:37","date_gmt":"2020-07-02T08:42:37","guid":{"rendered":"http:\/\/ga-beta.geidai.ac.jp\/?p=9047\/"},"modified":"2020-07-02T18:43:51","modified_gmt":"2020-07-02T09:43:51","slug":"studio_international","status":"publish","type":"post","link":"https:\/\/geidai-ga.warpjapan.com\/en\/2020\/07\/02\/studio_international\/","title":{"rendered":"Interview: \u2018We built Olafur Eliasson\u2019s exhibition without the artist\u2019"},"content":{"rendered":"<h2 class=\"mincho blue\"><span style=\"font-size: 32px;\">Interview: \u2018We built Olafur Eliasson\u2019s exhibition without the artist\u2019 <\/span><\/h2>\n<p><a href=\"https:\/\/www.studiointernational.com\/index.php\/yuko-hasegawa-japan-museum-curator-time-of-covid-19-olafur-eliasson\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ga-beta.geidai.ac.jp\/info\/wp-content\/uploads\/2020\/07\/406deeadbf33235ca090add0b957b1a7.png\" alt=\"\" width=\"918\" height=\"754\" class=\"aligncenter size-full wp-image-9033\" srcset=\"https:\/\/geidai-ga.warpjapan.com\/wp-content\/uploads\/2020\/07\/406deeadbf33235ca090add0b957b1a7.png 918w, https:\/\/geidai-ga.warpjapan.com\/wp-content\/uploads\/2020\/07\/406deeadbf33235ca090add0b957b1a7-300x246.png 300w\" sizes=\"auto, (max-width: 918px) 100vw, 918px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.studiointernational.com\/index.php\/yuko-hasegawa-japan-museum-curator-time-of-covid-19-olafur-eliasson\">An interview with Professor Yuko Hasegawa<\/a> appears in Studio International, London-based online contemporary art magazine. In this interview, Professor Hasegawa talks about the exhibition in the age of COVID-19, referring to the \u201cOlafur Eliasson: Sometimes the River is the Bridge\u201d exhibition (June 9, 2020 \u2013 September 27), held at Museum of Contemporary Art Tokyo, she recently curated. She also mentioned the \u201cAlter-narratives\u201d exhibition, curated by students at GA, which was held between June 1 and 30, 2020.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>An interview with Professor Yuko Hasegawa appears in Studio International, London-based online contemporary art magazine. In this interview, Professor Hasegawa talks about the exhibition in the age of COVID-19&#8230;<\/p>\n","protected":false},"author":2,"featured_media":9033,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"post_series":[],"class_list":["post-9047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events-en","entry"],"_links":{"self":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/9047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/comments?post=9047"}],"version-history":[{"count":0,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/posts\/9047\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media\/9033"}],"wp:attachment":[{"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/media?parent=9047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/categories?post=9047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/tags?post=9047"},{"taxonomy":"post_series","embeddable":true,"href":"https:\/\/geidai-ga.warpjapan.com\/en\/wp-json\/wp\/v2\/post_series?post=9047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}